all became clearpamper me to hell and backcan look

We see the same mockery regarding the abandon of being in love when Bird writes. Reviews are an initiative from the Poetry School. But this here pamphlet suggests my awe will only increase with every new release. I am always making speeches, but speeches are a waste of time The only useful speech is one where you enumerate someone's many failures until they burst into tears But if anyone is bursting into tears today it will be me I just want to lie naked on a deckchair, fanning myself with divorce papers from "Speech time". Leave a Reply Cancel reply Your email address will not be published. Notify me of new posts by email. Some very good love poems, which is kind of a hard challenge sometimes, to walk the line between overly whimsical and clunky, but she does it. Whatever it is, there is something unique and a little bit addictive in these poems. I listened to her read that poem over and over, crying at the end every time. Although they are fun.

We see the same mockery regarding the abandon of being in love when Bird writes. The humor balanced on top of painful truths and insights. Share this: Tweet. I love her slipping out of punctuation as her mind slips - like a fast-paced text message sent after a few drinks. Hera Lindsay Bird. Notify me of follow-up comments by email. I like this picture because it reminds me of loneliness And the great, unspecific boredom of life. It just so happens that the tools she has at her disposal are those of easy narrative, pretence and the grand pronouncements of the individual.

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These poems, like most good poems, point via negativa to the things which cannot be said. Email Address. Seeping with existential delay. Reviews are an initiative from the Poetry School. Look at how ludicrous it is to be serious about any of this , the poem thinks. Imagine again that picture of me, Joey Connolly, laughing and crying. Join the discussion. You must be logged in to post a comment. Loading interface Author 13 books 32 followers. The grand austere aha!

Pamper Me to Hell & Back by Hera Lindsay Bird | Goodreads

• Rate this book.
• This sets the scene for a collection which is both humorous and disconcerting, light-hearted and satirical.
• Love, death, Bruce Willis, public urination, being a woman, love, The Nanny, love.
• Notify me of follow-up comments by email.
• The sheer reach and imaginative variety is striking, but… is that variety part of any form?
• If you ever get the chance, hear her read her poetry.

Part of that infectiousness comes from their strikingly idiomatic style, characterised by several traits: an informality informal to the point of ritual; short to mid-length declarative sentences, stripped of any formal expression of the strong feelings they describe; a conspicuous lack of lyricism; the deadpanning of great misery and joy. Fame, the moon, meaninglessness. Well, where historically poets have refined their language towards poetic diction and metre — and risked being programmatic and melodically repetitive as a result — Bird refines her language towards an imitation of vernacular usage. But Bird is never those things, in the same way Tennyson is never drily metrical. The other striking formal features are the barrage of similes and the frequent ellipses — both taken straight out of the poems of Chelsey Minnis. The sheer reach and imaginative variety is striking, but… is that variety part of any form? Or the other way round. Probably the other way round. The very light which makes the blossom visible also renders it sarcastic, bitter and mean. This poetry neither needs nor wants to venerate the manufacture of apt metaphysical equivalences. Rather, it wants to make a kind of metaphorical soup — with a bunch of tenors and a bunch of vehicles swilling around, bumping into each other with little clangs of humour or insight — by force of density more than precision. The grand austere aha! We see the same mockery regarding the abandon of being in love when Bird writes. Look at how ludicrous it is to be serious about any of this , the poem thinks. That is, the ability to make a statement and to both mean it very deeply while simultaneously holding it up as an object of mockery. Often in these poems humour acts as a cover for heartbreak; silliness becomes moving.

Jump to ratings and reviews. Want to read. Buy on Amazon. Rate this book. Hera Lindsay Bird. Love, death, Bruce Willis, public urination, being a woman, love, The Nanny, love.

Pamper me to hell and back. Pamper Me to Hell & Back

P amper Me to Hell and Back is full of confessional, provocative and occasionally explicit poems, written in a conversational style with a bleak outlook on life. Many of the poems are surreal, whilst some feel more like Facebook posts, and others seem designed to be performed as spoken word. This sets the scene for a collection which is both humorous and disconcerting, light-hearted and satirical. It also reveals the underlying themes of mortality, love and the relentless monotony of life. This is not the kind of poetry that I normally read, and I must admit to being put-off initially by the more explicit and provocative lines, pamper me to hell and back. Perhaps it is the interminable onslaught of surprising almost ridiculous imagery, or the self-deprecating humour that runs throughout. Whatever it is, there is something unique and a little bit addictive in these poems. Other poems seem to be anti-love poems. There are some more straightforward love poems too. I want to get really good at woodwork and go into pamper me to hell and back forest and cut up some logs and make you a beautiful house to live in. I enjoyed reading the last three poems, which have a more serious undertone, whilst still being light-hearted and full of humour. I like this picture because it reminds me of loneliness And the great, unspecific boredom of life. Buy this book from Waterstones.

Jam & Jerusalem

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Absurd and overwhelming, but accurate and revealing - just like love is. Probably the other way round.

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